Madcap nights of love among the lycanthropes.
Hayter sets aside her Robin Hudson female detective series (The Chelsea Girls Murders, 2000) to profile one Annie Engel: a mousy secretary by day, a werewolf by night.
Fading newsman Sam Deverell lucks into a story about a Mad Dog Murder and a victim attacked during a full moon outside the Carnivore restaurant in the Meat-Packing District; he’s the only reporter to grab a video of the body. Werewolf Jim, a ghostwriter by day, keeps his lycanthropic changes at bay by taking doses of ketamine with an intravenous drip and sleeping during the full moon, but he’s charged up by the Meat-Packing District murder and, going off ketamine, feels euphoric. Legal secretary Annie, a vegetarian who works for Synergy Enterprises Group, wakes up with blood on her chest, meat lodged in her teeth, nausea, a meatlike lump in her vomit, her purse lost, and her window broken in (by herself). Annie also finds all her senses sharpened at work. She can hear far-off conversations beyond the normal range of hearing, and she’s developing soft blond fur all over her body. Then there’s rudeness, distemper, lack of table manners. She finds herself four-footed and scampering over rooftops. Annie the werewolf tears out throats, then leaves her dead victims, seemingly without having refreshed herself on their blood or bodies—although she does find herself feeling much better by day, despite not quite remembering what she did the night before. According to Dr. Marco Potenza, who runs a clinic for fee-paying werewolves who want to be sedated during dangerous periods of the full moon (and is himself a werewolf), Annie suffers from Lyconthropic Metamorphic Disorder. When two Syn-GEN employees are murdered by the Mad Dog Killer, Annie wonders whether she can ever have a normal life again. The climax, Operation Harvest Moon, finds wolves scampering over many roofs in a wild chase.
Madcap nights of love among the lycanthropes.Pub Date: May 1, 2003
ISBN: 1-4000-4743-9
Page Count: 320
Publisher: Three Rivers/Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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