Great fun.
The second installment of childhood recollections (after Opposite the Cross Keys, 1988) by mystery writer S.T. Haymon, who here evokes a sheltered 12-year-old's further encounters with life's earthier side.
Haymon's 1920's, upper-middle-class childhood revolved typically around school, home, loyal servants, and a pair of doting, well-educated parents—until age 12, when her father died and her mother decided to move to London. Refusing to accompany her, the precocious, comically self-confident Sylvia tried to limit this series of upheavals by insisting on remaining in Norfolk in the care of a favorite teacher—except that at the last minute her headmistress (already a sworn enemy) switched houses, arranging for two maiden schoolteachers to put Sylvia up in their house instead. Sylvia knew that the Misses Gosse and Locke were eccentric. What she didn't know was that the skinny, aggressive history teacher and the teary, puppy-like math professor were lesbians. Nor did she notice as Miss Locke's increasingly desperate infatuation with her began to lead the entire household toward destruction. Amusing characters abound—the gardener, Sylvia's only ally, whose faith in the value of a virgin's tips on the horse races led him to pay her for advice; the dour housekeeper who sang opera and downed bottles of gin; the art teacher's model who bewildered Sylvia with talk of "randy old dykes"; and the spiritual channel who informed her that her daddy was watching everything she did from heaven. Haymon's depiction of herself as an unusually clever, frequently petulant, and thoroughly practical young girl obsessed with filling her stomach while all sorts of passionate fireworks exploded around her evokes an era when secrets still existed and scandals were bursting to happen—and makes for slyly humorous, very British entertainment.
Great fun.Pub Date: Dec. 14, 1990
ISBN: 312-04986-2
Page Count: -
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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