This engaging, edifying, delightfully nerdy childhood retrospective from one of today’s inspirational leaders speaks volumes.
Before Stacey Abrams became today’s leading voting rights activist and the first Black woman in American history to become a gubernatorial candidate, she was a spelling bee hopeful.
Stacey is a kid who understands the power of language. Ushered from infancy into the world of books by her librarian mother, she is a devoted student of the dictionary and a diligent young linguist in her own right, squirreling away words in a dedicated notebook. Quiet and awkward, she finds refuge and clarity in reading and writing. When she is nominated by her second grade teacher, Mrs. Blakeslee, to participate in the school spelling bee, Stacey is thrilled. However there is one problem—she will be competing alongside Jake, the class bully, whom she has always shrunk from; but, “perhaps at this spelling bee she would be braver.” Readers follow Stacey as she painstakingly prepares, steps onto the competition stage—not once, but many times—and ultimately finds her voice with the loving support of her wise momma. The text is well turned, delivering both emotional resonance and compelling, albeit unromanticized, messages about the value of perseverance and the importance of speaking up for what is right. Thomas’ bold, vibrant digital illustrations use spotlights as a motif, subtly foreshadowing young Stacey’s future as a public speaker, and excel at depicting multiple scenes on the same page to create a sense of parallel action. Jake is White, and several illustrations include diverse representation.
This engaging, edifying, delightfully nerdy childhood retrospective from one of today’s inspirational leaders speaks volumes. (Picture book autobiography. 4-8)Pub Date: Dec. 28, 2021
ISBN: 978-0-06-320947-3
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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