A romping good read that is character-driven yet intellectually provocative on issues of law, religion and...
Brown’s first novel is a heart-poundingly vivid, intellectually provocative account of the legal case against a fictional woman condemned to death for secretly burying her dead, illegitimate newborn in Cromwell’s England.
In 1649, Cromwell has taken power after the beheading of Charles I. Politics is in turmoil, suspicion and paranoia the mood of the day. But the law still must be upheld as aging and ailing criminal investigator Thomas Bartwain reluctantly builds his case against Rachel Lockyer, an unmarried glovemaker’s apprentice, for breaking the 1624 “Act to Prevent the Destroying and Murdering of Bastard Children.” No one questions that Rachel buried her infant daughter; the case hinges on whether the child was born dead. Humorously Rumpole-like, with a wife who keeps him morally on pitch, Bartwain is increasingly uneasy, especially when he finds a flaw in the law. Meanwhile Rachel remains largely silent out of her confused sense of guilt and because she does not want to expose William Walwyn, who has been her adulterous lover for three passionate years—the author provides great, unsentimental sex scenes that feel true to the era. With his crony Richard Lilburne, Walwyn is a well-known leader of the Levelers, a human rights advocacy group that originally supported Cromwell but has turned against him and is now under attack. William is also the father of 14 legitimate children, and his wife Anne watches and waits for her husband to return his heart to his marriage, not passive but patient. Rachel’s true friend and supporter is feisty and outspoken Elizabeth Lilburne, who has recently lost two small sons to smallpox and remains loyal to husband John despite her impatience with his political posturing. Events in the plot are based on historical incidents, and one of the book’s many joys is the way fictional (Rachel, the Bartwains) and historical figures (the Walwyns, the Lilburnes) weave seamlessly together; everyone’s motives and reactions are richly complex.
A romping good read that is character-driven yet intellectually provocative on issues of law, religion and morality—historical fiction at its best.Pub Date: Feb. 14, 2012
ISBN: 978-0-547-49080-9
Page Count: 272
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Dec. 4, 2011
Kirkus Reviews Issue: Dec. 15, 2011
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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