A fresh look at cyberspace from an entrepreneur's point of view that removes the tech talk and looks instead at community-building. Horn gives us a line to the online village she founded, Echo, based in New York and which she describes as a ``bizarro Our Town.'' Echo and its clientele (the ``Echoids'') engage in a noble experiment of discovering the differences between human intercourse in a virtual community and in an actual community. Their conclusion is that personal relationships follow the same pattern in both arenas, but the nature of the communal response to various events is different. As Horn debates the issue of how much free speech she should allow as some Echoids react to others who engage in harassment or prejudicial statements, the reader is reminded of local, state, and national struggles over the same issues. And though Horn includes the obligatory chapter on cybersex, she takes a fresh point of view, giving her own personal experiences along with those of three couples who met through Echo. Again, the conclusion is that relationships in cyberspace follow the same patterns as those in ``real life.'' What truly distinguishes Cyberville, however, is both Horn's disarmingly candid tone (in the section on on how she reluctantly sets rules for Echo, her stated opinion is ``Fuck rules'') and the use of the words and thoughts of the Echoids themselves, in an ongoing forum interspersed throughout the book called ``I Hate Myself.'' She uses a poll of Echo members on different issues to introduce each chapter and, most impressively, to illustrate how her ``online town'' reacted to the O.J. Simpson white Bronco car chase. The conclusion reached here is that computer culture—which allows people from all over the country to exchange reactions at once—is revolutionizing the way people react to human drama. That Horn is able to capture this conclusion in this scene and throughout Cyberville is a testament to the book's strength. (First serial to Self)
Pub Date: Jan. 13, 1998
ISBN: 0-446-51909-X
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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