Horn engagingly explores a history that, perhaps surprisingly, extended into the 1960s, when the renamed island became a...
Somber study of a dark, little-known episode in the history of New York, when Riker’s Island wasn’t the only warehouse for the condemned.
It makes good sense, on reading Horn’s (Imperfect Harmony: Finding Happiness Singing with Others, 2013, etc.) latest, why the 2005 horror film Dark Water found so appropriate a setting on New York’s Roosevelt Island. In the late 1800s, writes the author, that small chunk of land, barely 150 acres, saw four kinds of unfortunate denizens: the mad were shunted off to the island’s Lunatic Asylum, the destitute to the Almshouse, the vagrant or indigent to the Workhouse, and the seriously criminal to the Penitentiary. Each offered its own version of a living hell, and despite reports by early whistleblowers, not much was done to improve the condition of the inmates. “You can have no idea…what an immense vat of misery and crime and filth much of this great city is!” exclaimed a social reformer who worked on the island, and Horn’s account paints an exacting portrait of just how true that was—and how summary the judgments against the lower class could be. Of interest to students of Foucauldian history is the author’s contrast of what was then called Blackwell’s Island with facilities for the well-to-do, such as the Bloomingdale Insane Asylum near Central Park, with its well-appointed libraries, plush chairs, and expensive artwork. No such amenities were to be found on Blackwell’s, which saw appalling levels of disease, starvation, child mortality, and other ills. Despite such demerits, as Horn writes, the rate of escape from the island was low and the level of recidivism, particularly among younger inmates, high: “At ten the boys are thieves,” noted one official, “at fifteen the girls are all prostitutes.”
Horn engagingly explores a history that, perhaps surprisingly, extended into the 1960s, when the renamed island became a site for mixed-income housing.Pub Date: June 20, 2018
ISBN: 978-1-61620-576-8
Page Count: 304
Publisher: Algonquin
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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