An entertaining romance nicely balanced between hot-and-bothered lust and droll dramedy of manners.
A woman’s scam of passing herself off as a duke’s fiancee succeeds all too well in this Regency love story.
Impoverished viscount’s daughter Katherine “Kitty” Danvers doesn’t have enough dowry money to snag decent marriage proposals for herself or her sisters. But she has a plan for that: tell London’s gossip columnists that she is engaged to Alexander Masters, duke of Thornton, so that fashionable hostesses will invite the Danverses to parties and connections-seeking swains will vie for her sisters’ hands. That it’s all a lie doesn’t matter, Kitty reasons, because the reclusive duke, immured in his remote Scottish castle for the last seven years, will never hear of her fraud. Kitty instantly becomes the toast of London’s ballrooms. When Alexander’s puzzled lawyer makes inquiries, she bluffs him and winds up with a mansion and credit lines at the best shops, all billed to the duke. Then Alexander, who does indeed read the society pages, shows up at a ball Kitty is attending. The jig seems to be up, but Alexander is intrigued by her gorgeous eyes and sheer chutzpah. Kitty, in turn, finds Alexander roguishly sexy despite the injuries from a fire that have scarred half his face, made walking difficult, and rendered him impotent. Alexander agrees to keep Kitty’s secret but only if she spends a fortnight at his castle without a chaperone, a proposition so outrageously improper that she almost declines it. Thrown into improbable intimacies—a bridge collapse necessitates their helping each other out of their wet clothes—their fencing gives way to kissing and much more until Alexander’s guilt at not being able to give Kitty children threatens to end their now authentic-feeling engagement. Reid’s (Sophia and the Duke, 2019, etc.) adept take on “Beauty and the Beast,” the first installment of her Sinful Wallflowers series, sends up Austen-esque social conventions while nicely teasing out their dramatic tensions and adding some Twain-ian rascalry. The sparkling story features lively characters with plenty of raffish charm and prose that’s snappy while retaining an elegant period feel. (“So you do not regret riding astride…twice, daring to attend Lady Appleby’s ball without a corset, and rescuing a cat in a tree?” Alexander prods, citing Kitty’s much-reported transgressions against feminine decorum.) The result is a stylish yarn with real literary chops.
An entertaining romance nicely balanced between hot-and-bothered lust and droll dramedy of manners.Pub Date: Dec. 31, 2019
ISBN: 978-1-64063-745-0
Page Count: 352
Publisher: Entangled: Amara
Review Posted Online: Jan. 13, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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