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AND UNION NO MORE

A historically authentic and dramatically engrossing work.

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In Haynes’ 1850s-set historical novel, three men—two abolitionists and a pro-slavery Southerner—become embroiled in a murderous conspiracy.

The Kansas-Nebraska Act of 1854 makes a massive swath of territory to the west of Iowa and Missouri open to slavery, as determined by popular vote. As a result, Northerners and Southerners alike rush to settle there in a bid to tip the electoral scale, a situation that quickly becomes violent: “Kansas was a tinderbox. All awaited the spark that would ignite a blaze.” Monty Tolliver, a former Whig congressman in Ohio and an ardent abolitionist, decides to move his family to Kansas to do his part and discovers an all-out war being waged there by pro-slavery agitators. He joins the local militia and becomes a key player in the effort to organize a constitutional convention that will establish Kansas as a free state. He’s aided by Robert Geddis, who comes to Kansas from Rhode Island to work for the Herald of Freedom newspaper. Violence is committed by both sides of the conflict, a grim scenario rigorously depicted by the author. A series of grisly murders is undertaken by devoted abolitionists, followed by equally grotesque killings by pro-slavers in retaliation—some of which are pinned on Billy Rutledge, a young man from Mississippi. But Geddis knows Billy, and despite Billy’s support of slavery, he considers him incapable of murder. This complex narrative at times becomes convoluted—there are simply too many plot twists and subplots, and they become a tedious distraction. However, the author’s portrayal of this chapter in the history of the nation is impressively astute, and he brings the clash of ideologies that sparked it to electrifying life. The novel is unflinchingly honest and evenhanded—while slavery was a vile institution, Haynes acknowledges that people who opposed it were fully capable of gross moral failings of their own. Ultimately, this is a worthwhile work of historical drama, simultaneously edifying and entertaining.

A historically authentic and dramatically engrossing work.

Pub Date: March 28, 2023

ISBN: 9781737766926

Page Count: 276

Publisher: Self

Review Posted Online: April 11, 2023

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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