A historically authentic and dramatically engrossing work.
In Haynes’ 1850s-set historical novel, three men—two abolitionists and a pro-slavery Southerner—become embroiled in a murderous conspiracy.
The Kansas-Nebraska Act of 1854 makes a massive swath of territory to the west of Iowa and Missouri open to slavery, as determined by popular vote. As a result, Northerners and Southerners alike rush to settle there in a bid to tip the electoral scale, a situation that quickly becomes violent: “Kansas was a tinderbox. All awaited the spark that would ignite a blaze.” Monty Tolliver, a former Whig congressman in Ohio and an ardent abolitionist, decides to move his family to Kansas to do his part and discovers an all-out war being waged there by pro-slavery agitators. He joins the local militia and becomes a key player in the effort to organize a constitutional convention that will establish Kansas as a free state. He’s aided by Robert Geddis, who comes to Kansas from Rhode Island to work for the Herald of Freedom newspaper. Violence is committed by both sides of the conflict, a grim scenario rigorously depicted by the author. A series of grisly murders is undertaken by devoted abolitionists, followed by equally grotesque killings by pro-slavers in retaliation—some of which are pinned on Billy Rutledge, a young man from Mississippi. But Geddis knows Billy, and despite Billy’s support of slavery, he considers him incapable of murder. This complex narrative at times becomes convoluted—there are simply too many plot twists and subplots, and they become a tedious distraction. However, the author’s portrayal of this chapter in the history of the nation is impressively astute, and he brings the clash of ideologies that sparked it to electrifying life. The novel is unflinchingly honest and evenhanded—while slavery was a vile institution, Haynes acknowledges that people who opposed it were fully capable of gross moral failings of their own. Ultimately, this is a worthwhile work of historical drama, simultaneously edifying and entertaining.
A historically authentic and dramatically engrossing work.Pub Date: March 28, 2023
ISBN: 9781737766926
Page Count: 276
Publisher: Self
Review Posted Online: April 11, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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