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STAN MACK'S REAL LIFE FUNNIES

THE COLLECTED CONCEITS, DELUSIONS, AND HIJINKS OF NEW YORKERS FROM 1974 TO 1995

Noisy and nostalgic big-city comics reportage.

A collection of Real Life Funnies, a comic that ran in the Village Voice for two decades.

Purportedly composed entirely of verbatim conversations, Mack’s strips overflow with spoken snippets from the lives of New York City’s diverse denizens. While some comics capture elaborate, chatty stories, many are free of narrative cohesion and read like sound collages of a crowded city. Drawn in confident, busy linework and shaded with choppy cross-hatching, the comics appear dashed off but hum with an impressive, quiet control, as rackety dialogue hinges on neat drawings of the city’s stately architecture. While his cartooning is unassumingly adept, Mack’s greatest strengths are his journalistic, empathetic approach to memorializing the metropolitan zeitgeist. In the foreword, Jake Tapper astutely calls Mack’s work “sociology, even zoology in its way,” highlighting the cartoonist’s steadfast drive to cross thresholds and learn from lifestyles unlike his own. “I wanted to go places where I didn’t belong,” Mack recalls, “attend events outside my comfort zone.” He covered the gamut from art openings to séances and featured people both luxuriating in penthouses and living on the streets. He drew election rallies and counterculture protests, the rise of the yuppie, Reagan’s term, and the AIDS epidemic. While its subjects ranged from all corners of the city, Real Life Funnies had a sex-positive slant that found Mack visiting sex shops, sex therapists, and places like the West Village’s Erotic Baker and the “First Annual New York Transgender Conference and Dinner Dance.” It’s a dense body of work and best taken slowly: Some of Mack’s most clamorous strips land on the threshold of cacophony and are nearly exhausting in their attempts to cram so much city into such a small space. The book includes an afterword by Jeannette Walls.

Noisy and nostalgic big-city comics reportage.

Pub Date: March 26, 2024

ISBN: 9781683969167

Page Count: 336

Publisher: Fantagraphics Books

Review Posted Online: Feb. 28, 2024

Kirkus Reviews Issue: April 1, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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