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WINNING ARGUMENTS

Name: WINNING ARGUMENTS
Author: Stanley Fish
ISBN: 978-0-06-222665-5

WHAT WORKS AND DOESN'T WORK IN POLITICS, THE BEDROOM, THE COURTROOM, AND THE CLASSROOM

by Stanley Fish ‧ RELEASE DATE: July 5, 2016

Not the how-to book that its title suggests but Fish presents a compelling argument about the necessity of argument.

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The acclaimed literary theorist and law professor addresses the concept of argument.

Fish (Cardozo Law School; Think Again: Contrarian Reflections on Life, Culture, Politics, Religion, Law, and Education, 2015, etc.) covers a lot of argumentative territory—political debates, marital spats, courtroom cases, academic analyses—and he is uniquely qualified to provide illumination on all. Fish shows how the arguments omnipresent in each of these arenas may differ—for example, “if you find yourself in an intractable political argument, you may extricate yourself and go home, but it will be the intractable domestic argument that you go home to; it’s always waiting for you.” The metadimension is where the illumination transcends such distinctions and the book’s essence lies: “I am making an argument about argument and its relationship to the human condition,” writes the author. “Basically, argument is the medium we swim in, whether we want to or not.” The points he presents are philosophical, metaphysical, even ontological, because arguments about argument involve inquiry into the nature of truth, the possibility of authority, and the cultural disdain toward words such as “rhetoric” and “spin” that the author considers crucial to these inevitable arguments. The book is not so much about winning arguments as it is about better arguments, ones that elevate the discourse toward a mutual discovery of truth (whatever that is) rather than scoring points toward partisan goals. If we ever were to agree on truth, arguments might cease, or at least decrease, but Fish asserts that this will never happen. “The wish to escape argument is really the wish to escape language,” he writes, “which is really the wish to escape politics and is finally the wish to escape mortality—and it won’t matter a whit.”

Not the how-to book that its title suggests but Fish presents a compelling argument about the necessity of argument.

Pub Date: July 5, 2016

ISBN: 978-0-06-222665-5

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: April 29, 2016

Kirkus Reviews Issue: May 15, 2016

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE FIRST
by Stanley Fish

- BOOK REVIEW
THINK AGAIN
by Stanley Fish

- BOOK REVIEW
HOW MILTON WORKS
by Stanley Fish

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.