Not the how-to book that its title suggests but Fish presents a compelling argument about the necessity of argument.
The acclaimed literary theorist and law professor addresses the concept of argument.
Fish (Cardozo Law School; Think Again: Contrarian Reflections on Life, Culture, Politics, Religion, Law, and Education, 2015, etc.) covers a lot of argumentative territory—political debates, marital spats, courtroom cases, academic analyses—and he is uniquely qualified to provide illumination on all. Fish shows how the arguments omnipresent in each of these arenas may differ—for example, “if you find yourself in an intractable political argument, you may extricate yourself and go home, but it will be the intractable domestic argument that you go home to; it’s always waiting for you.” The metadimension is where the illumination transcends such distinctions and the book’s essence lies: “I am making an argument about argument and its relationship to the human condition,” writes the author. “Basically, argument is the medium we swim in, whether we want to or not.” The points he presents are philosophical, metaphysical, even ontological, because arguments about argument involve inquiry into the nature of truth, the possibility of authority, and the cultural disdain toward words such as “rhetoric” and “spin” that the author considers crucial to these inevitable arguments. The book is not so much about winning arguments as it is about better arguments, ones that elevate the discourse toward a mutual discovery of truth (whatever that is) rather than scoring points toward partisan goals. If we ever were to agree on truth, arguments might cease, or at least decrease, but Fish asserts that this will never happen. “The wish to escape argument is really the wish to escape language,” he writes, “which is really the wish to escape politics and is finally the wish to escape mortality—and it won’t matter a whit.”
Not the how-to book that its title suggests but Fish presents a compelling argument about the necessity of argument.Pub Date: July 5, 2016
ISBN: 978-0-06-222665-5
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: April 29, 2016
Kirkus Reviews Issue: May 15, 2016
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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