This first novel from Starhawk (Dreaming the Dark, 1982, etc.) is a big, shaggy, sloppy dog of a fantasy about a great war taking place during the 21st century: A city of eco-feminist witches must stand up to the violence of an army bred on a repressive Christian ideology that justifies the greed of a corporate cabal of rich white men. As the story opens, Maya, a 99-year-old writer of tales about witchcraft, climbs a steep San Francisco hill and surveys a kind of reclaimed paradise: The streets have been torn up, and organic gardens bloom everywhere. Since a great ``uprising'' some years before, the city has become a kind of pagan theocracy, run by guilds and councils of eco-feminist witches who have made it a green spot in the surrounding desert. The rest of the country is ruled by the ``Stewards''—a ruthless corporate power that justifies inhuman exploitation under the banner of the ``Millennialists,'' a fundamentalist sect that is not above breeding whores and soldiers in ``pens.'' Maya is witness to a battle that kills—or tests—many of her loved ones. First, her grandson Bird returns after ten years in a prison in the ``Southland.'' While he was away, the Stewards/Millennialists have sent an engineered virus to San Francisco that killed a good many of the population. Madrone, the grandchild of Maya's woman lover and male compa§ero (almost every witch is bisexual), is a gifted healer, so she is sent to the dangerous Southland to teach the rebel ``Web'' to heal themselves and to bring back specimens of the virus. Madrone returns after many narrow escapes to find the city occupied by the ruthless army of the Stewards—forcing the witches to put to the ultimate test their commitment to nonviolence. Starhawk deserves points for her idealism, but her vision and characterizations are only half-realized here—and further muddied as she goes on far, far too long.
Pub Date: May 14, 1993
ISBN: 0-553-08916-1
Page Count: 496
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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