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Good-Bye Def Leppard

I'LL MISS THOSE JEANS

A captivating tale about growing up best suited for nostalgic members of Generation X.

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In Kramer’s debut novel, a middle-aged mother remembers falling into a complicated romance in the early 1990s.

Amy Gaer is a harried working mother. After a busy day, she listens to her young daughter practice for a music recital and recalls her own youth. Thus begins a flashback to Amy’s early 20s that lasts for nearly the rest of the novel. Readers meet young Amy as she completes what might be her final year at the University of Iowa. She’s trying to determine what to do with her life: follow her dream of a musical career or choose something more financially responsible, such as law or business, as her parents hope she will. She returns to her childhood home in rural Iowa for the summer, where she begins an internship at a local bank and meets Nick Klein, who’s in the process of getting divorced—and who quickly gets under her skin. As soon as his divorce is final, the two begin to date, but Nick hopes to keep things casual so that Amy won’t feel reluctant to leave town in pursuit of professional goals. The only thing Amy knows for sure is that meeting Nick has made her choices much more complicated. As she tries to map out her future, she must navigate lingering, complex relationships from her past as well as surprisingly large doses of sexism in the workplace. All the while, Kramer keeps the music of the late 1980s and early ’90s (such as Guns N’ Roses’ “Welcome to the Jungle” and Pearl Jam’s “Even Flow”) playing in the story’s background—so much so that some readers may feel compelled to sing along. As the author transports these readers to the grunge era, she also explores difficult issues surrounding social inequality, infidelity, and, especially, coming-of-age. Meanwhile, the romantic suspense and social calamities that pepper the narrative keep it moving along at an engaging pace. As Amy struggles to find the wisdom and maturity she needs to sort out her future, readers will find themselves in her cheering section. 

A captivating tale about growing up best suited for nostalgic members of Generation X.

Pub Date: April 25, 2008

ISBN: 978-1-4348-4832-1

Page Count: 312

Publisher: CreateSpace

Review Posted Online: June 15, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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