An informative introduction to supertalls and the global cities where they rise above the skyline.
An architect and urban designer reflects on the technological innovations that have enabled the construction of “supertalls” and on the advances in urbanism that help mitigate their environmental shortcomings.
Al, the author of The Strip: Las Vegas and the Architecture of the American Dream, is highly knowledgeable about his subject, even if he is conflicted. He claims that “tall buildings are an integral part of urban living for the future” but describes supertalls—skyscrapers that exceed 300 meters in height—as “gas-guzzling Hummers on steroids” and “makers of increased inequity and societal risk.” While shorter skyscrapers “have significant environmental benefits,” buildings like the Petronas Towers in Malaysia, One57 in New York City, the Shanghai Tower, and the Burj Khalifa in Dubai (the world’s tallest building) mostly create environmental costs and “alienate people from nature.” Ostensibly made necessary by urban densities that send land values soaring, supertalls only became feasible with technological advances in structural material (especially, high-performance concrete); building shapes that dampen sway and lessen the vortexes created by high winds; safer and faster elevators that ease vertical movement; and innovations in air conditioning that compensate for inoperable windows and expansive glass facades. Technology, Al proposes, is also the solution to the environmental and urban problems generated by supertalls. Green infrastructure, mass transit, passive solar design, and zoning that allows for mixed-use districts are just a few of his recommendations. Yet, further expressing his ambivalence, the author writes, “technological progress doesn’t always lead to human progress.” Consequently, when he announces that “we are witnessing another golden age…the era of ‘supertalls,’ ” some readers may be unconvinced. Although he addresses a wide array of topics, Al could have written more about the financial feasibility of supertalls, the architectural design challenges they pose, the experiences of users, and the impacts these buildings have on surrounding residential and office markets.
An informative introduction to supertalls and the global cities where they rise above the skyline.Pub Date: April 12, 2022
ISBN: 978-1-324-00641-1
Page Count: 320
Publisher: Norton
Review Posted Online: Jan. 17, 2022
Kirkus Reviews Issue: Feb. 15, 2022
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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