It’s a bleak and breathless read, one that will have readers hoping for a peaceful outcome as fervently as its characters...
At the end of The Peculiar (2012), Bachmann’s debut, the evil faery Mr. Lickerish had used half-faery Bartholomew’s little sister, Hettie, as a Door to open the way between England and the Old Country; here is what happens next.
Years have passed in England, and humans are winning the country back from the faeries. One-eyed orphan Pikey (his other was stolen one night, a clouded, useless orb left in its place) ekes out a meager existence in London’s underbelly. When a faery returns a favor with an astonishing gem, he tries to pawn it and, predictably, ends up in deep trouble. Meanwhile, Hettie struggles to survive in the Old Country, where just a few days have passed. Captured by the lady Piscaltine and kept as her pet Whatnot, Hettie waits in terror for Bartholomew to rescue her. The story alternates between the Old Country and England, between twig-haired Hettie and Pikey; somehow, he can see her through his clouded eye, which makes him very valuable to Bartholomew, who rescues him from jail for its sake. Bachmann unleashes his boundless imagination in his descriptions of the Old Country, whose rules and landscape are capricious and ever-changing. Hettie’s terror is well-justified. Detail upon baroque detail piles up as Bartholomew and Pikey race to find Hettie, the war between humans and faeries inevitably catching them up in it—as does friendship.
It’s a bleak and breathless read, one that will have readers hoping for a peaceful outcome as fervently as its characters do. (Fantasy. 10-15)Pub Date: Sept. 24, 2013
ISBN: 978-0-06-219521-0
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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