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MARGHERITA DOLCE VITA

An elegant little piece of dark comedy.

This is the first of the prolific Italian author’s novels to be published in English—a cause for celebration.

This inventive satire stars 15-year-old Margherita, as charismatic, though far wiser, than British author Sue Townsend’s popular creation Adrian Mole. She lives with her odd family on the outskirts of the city, not quite in the country, rather a place of both meadows and smog. She, with her beloved mongrel Sleepy, wiles away the days writing just the first line to assuredly brilliant novels and visiting Grandpa Socrates in the attic (he is having an affair with a ghost—Margherita can hear them dancing at night). Margherita stands in awe of her young, genius brother Erminio and the older Giacinto, a pimply football hooligan. Mother Emma is addicted to TV soaps and imaginary smoking, while father Fausto is a professional retiree who collects (and sometimes fixes) junk. A contented bunch all until Margherita’s happily imperfect idyll is altered when a black-glass cube house is built and the new neighbors move in. The Del Bene family, including a ferocious dog (even Sleepy has a rival) undergoing Pavlovian attack -training, is marked by frivolity and foolishness. In a matter of days, Margherita’s family is strikingly transformed by the Del Benes—they become a shinier, greedier, slightly drugged version (this would be Mama suffering the ill effects of cellulite cream) of their former selves, and worse yet, Papa is now partners with Frido Del Bene in the always-suspicious business of import-export. Margherita is not fooled by the perfection of their plastic grass and purified air. Though a little fat and with a bad heart, she knows it’s up to her to save her family, and all those others the Del Benes are attempting to eliminate—gypsies, immigrants, potential communists, the mentally ill and anyone else wary of the black-boot march of an insipid conformity.

An elegant little piece of dark comedy.

Pub Date: Nov. 1, 2006

ISBN: 1-933372-20-6

Page Count: 228

Publisher: Europa Editions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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