Small print, big picture. Pavlou’s masterpiece doesn’t let us off easy.
Spellbinding mainstream science-fiction spectacular.
The London-based Pavlou’s polymath debut wears five years of research in several disciplines. It turns on sunspots and a casting off of the sun’s coronal shield every 12,000 years, which causes vast devastation here. In 2012, new gravitational centers are found under Antarctica, the Arctic, the Amazon, Cairo, and Wupu, in China, pointing to an electromagnetic buildup that may combine with gravity waves hurtling from the sun—or defend us from them. Discovered at the same time is C60, a manmade form of carbon fabulously harder than diamond. American oil riggers for Rola Corp. in Antarctica have broken through an undersea wall that clearly belongs to a sunken city, one corresponding to Atlantis. Crystallized chunks of C60 come up the pipe and bear pre-cuneiform lettering: language older than the oldest known Sumerian cuneiform, almost certainly from a lost civilization. But how could there be a whole wall of C60 when the entire amount of C60 made by man amounts to a very expensive pinhead? Lost civilizations other than Atlantis, including the Zoroastrian and Aztec, loom large in Pavlou. After discoveries in Wupu, the Chinese are as interested in C60 as the Americans are, and war hovers over the massive undersea store in Antarctica. We follow Rola Corp. teams of scientists at three of the gravity spots and visit the three-mile-long CERN atom smasher outside Geneva, where a piece of the crystal is bombarded and analyzed. Meanwhile, Dr. Richard Scott, a linguist/cultural anthropologist/epigraphist who spends years deciphering ancient inscriptions, is brought in to decipher the Atlantis lettering, and we are treated to long discourses on world languages. Also on hand is Dr. Jon Hackett, a specialist in complexity theory, who gives us complexity workouts. The female leads: Scott’s 19-year-old assistant, November Dryden, and tough-talking geologist Sarah Kelsey, who discovers immense tunnels and other marvels under the Sphinx and Great Pyramid.
Small print, big picture. Pavlou’s masterpiece doesn’t let us off easy.Pub Date: Sept. 1, 2002
ISBN: 0-312-28075-0
Page Count: 400
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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