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OLD MAN OF THE SEA

A masterpiece.

A grandson recounts his grandpa’s love for the sea and worldwide adventures in this Brazilian import.

“Every line on my skin tells the story of my life,” Grandpa tells his narrating grandson before he begins sharing his life’s story. With the help of Santiago’s striking illustrations, Elia shows this old salt’s love for each land he visited in his youth as a sailor. Grandpa shares his travels from Europe, where he “ate picnics in groves of olive trees,” to Africa, where he “climbed sand dunes to watch the sun go down.” From Asia to Oceania and finally America, Santiago’s vibrant palette depicts famous landmarks and animals in each of the five continents (North and South America are considered as one, and Antarctica doesn’t make an appearance). With a touch of the fantastical, the narrative carries readers over the oceans as Grandpa’s ship rides the hump of a whale from continent to continent and Grandpa collects stories. While at sea, the vastness provides a calm and contemplative blue space, with Grandpa’s boat urging readers to turn the page. Like the grandson, readers might also wonder if Grandpa’s stories are true, but it won’t matter as this gorgeous story will have them returning to the beginning of the book to once again embark on the journey. Both grandfather and grandson have brown skin; by originating Grandpa’s travels outside of Europe, the story interestingly complicates questions of imperialism.

A masterpiece. (Picture book. 4-8)

Pub Date: Sept. 3, 2019

ISBN: 978-1-911373-54-4

Page Count: 40

Publisher: Lantana

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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