An exciting, friendship-filled nighttime romp.
An intrepid firefly tries to show its sleepy diurnal friends the beauty of the night.
A group of creatures, including a ladybug, a roly-poly, a snail, and a couple of slugs, watch the sunset. Firefly shows up and encourages the others to stay up late to see the moonflower bloom. “Bedtime can wait,” they decide as Firefly leads them through the forest. At first, they startle at the nighttime sounds of owls and frogs but soon find them soothing, like a lullaby. “I never thought of it that way before,” muses Firefly. Later, Firefly uses its flash to help turn unexpected and seemingly frightening shadows into playful shadow puppets. But will they make it to the moonflower in time? Maybe not, but what really matters is that these pals have spent time together. Even better, Firefly has learned to see nighttime in a whole new light. As in Tiny Tales: Shell Quest (2021), Waldo makes her cast of creepy-crawlies downright endearing; fans will recognize the snail and the slugs from her previous title. The colorful creatures pop effectively against the deep purples of the night. With just a few panels per page and a limited word count, this short comic will please comics newbies; those in need of some guidance will appreciate the brief explanation of how to read a comic.
An exciting, friendship-filled nighttime romp. (information on fireflies and lightning bugs) (Graphic early reader. 5-8)Pub Date: May 14, 2024
ISBN: 9780063289628
Page Count: 32
Publisher: HarperAlley
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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