by Stephan Lomp ; illustrated by Stephan Lomp ‧ RELEASE DATE: March 8, 2016
Like P.D. Eastman’s 1960 classic Are You My Mother? for the dino set, though it lacks the facts (and even the dinosaur...
A small dinosaur needs help from other dino babies when he slides off his mother’s back and can’t find her again.
Babysaurus likes to stand on his mother’s back so he can reach the tender leaves, but Mamasaurus’ curving back and tail make the perfect accidental slide. “Wheeeeeee!” As Babysaurus wanders the jungle searching for his mama, he meets other dinos. “Have you seen my mama?” Each new acquaintance asks if Babysaurus’ mama does something like his or her own: does she run as fast as Ornito’s mama? Have a horn like Tritopa’s mom? Fly like Ptero’s mom? Is she small like Hespero’s or toothy like Rexy’s? Babysaurus answers each of these questions in the negative, but he does provide some details about his mama: she takes big steps, has a long neck, and is taller than the trees. Just when things look bleak for Babysaurus against Rexy’s toothy mom, Mamasaurus finds her little one, who proclaims, “You are the best Mamasaurus in the whole jungle!” Lomp’s brush pen and Photoshop illustrations show rather static faces on the dinos, though their brilliant colors stand out against the black pages and greenish-gray foliage, drawing readers’ eyes.
Like P.D. Eastman’s 1960 classic Are You My Mother? for the dino set, though it lacks the facts (and even the dinosaur names!) presented elsewhere, as in Shari Halpern’s Dinosaur Parade (2014). (Picture book. 3-5)Pub Date: March 8, 2016
ISBN: 978-1-4521-4424-5
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Tom Percival ; illustrated by Tom Percival
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by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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