THE WHY-WHY'S GONE BYE-BYE

Trouble comes to Trubble Town even before all the grown-ups are abducted by alien Berrymanalows.

Sharing with its predecessor, Squirrel Do Bad (2021), a decidedly free-associational style of plotting, cartoonist Pastis’ newest pits young Wendy the Wanderer and silent orphan Milo against numerous foes, from evil tycoon Moneybags McGibbons to a bunch of opportunistic children who elect themselves town bosses after their empty-headed parents vanish thanks to not one but two rival sets of lounge singers from the stars (the other being the Waynenootonians). In a random (if increasingly destructive) series of mishaps and catastrophes featuring, for example, a wrestling match between costumed ex–civil servant Nutman and town propagandist Scribby Von Scrivener atop a giant banana, the town ends up leveled…but at least both the useless grown-ups and the bad kids are sent away together on a long trip, the aliens are driven off before they can perform, and Milo and Wendy are left to rebuild with the few remaining residents, mostly animals. In the appropriately manic art, the aliens resemble vegetables dressed, in some of the more frightening panels, as Elvis impersonators, while Wendy, flaunting a mop of purple hair, and the rest of the dot-eyed human cast present in a subtle range of skin colors.

Free-wheeling follies with satiric digs aplenty.