by Stéphan Pélissier with Cécile-Agnès Champart ; translated by Adriana Hunter ‧ RELEASE DATE: Jan. 5, 2021
Eye-opening reading for anyone interested in learning more about refugees and their plights.
A French legal expert’s account of how efforts to rescue his Syrian refugee in-laws turned into a protracted legal and political nightmare.
Pélissier married his wife, Zena, in 2012, just as the conflict in her native Syria began to intensify. In 2013, while visiting her parents, the newlyweds discovered that war had forced them to move from the outskirts of Damascus to an area they believed was safer. Over the next two years, the family endured the kidnapping and imprisonment of Zena's father, the rejection of their application for asylum in France, and a grueling journey involving smugglers that took them to Greece and almost cost them their lives. Desperation forced the family to contemplate using human traffickers again to get them into Italy. Unwilling to allow his in-laws to experience further trauma, Pélissier went to Greece in 2015 to take them back to France with him, knowing that French law would allow him to do so without punishment. Greek officials arrested the author and forced him to return home while his in-laws were forced to again use smugglers to help them get to France. In the years that followed, Pélissier and his wife battled to keep her family in their town only to be told everyone—including Zena’s now-ill father—would be deported. In 2016, another town offered the family refugee status, but a year later, Pélissier became embroiled in a long, costly legal battle with the Greek government, which accused him of being a "human trafficker.” Both sobering and informative, this story of human suffering—which is told in both Pélissier’s voice and the voices of some of his relatives—calls necessary attention to the brokenness of democratic legal systems and their terrifying inability to effectively handle ongoing humanitarian emergencies like the Syrian refugee crisis.
Eye-opening reading for anyone interested in learning more about refugees and their plights.Pub Date: Jan. 5, 2021
ISBN: 978-1-63542-018-0
Page Count: 256
Publisher: Other Press
Review Posted Online: Sept. 16, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Ron Chernow ‧ RELEASE DATE: May 13, 2025
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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