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WHO'S IN CHARGE?

A colorful and effective take on consent.

Children take ownership of their bodies through repeated affirmations.

A child rendered in black-and-white sees a colorful flower. “Who’s in charge?” an unseen narrator asks. Vibrant colors swirl around as the child holds the flower and stands proudly against a rainbow background: “I am!” Page turns reveal more children in nearly monochromatic settings taking charge of various body parts. “Who’s in charge of your nose?” the narrator asks. “I am!” declares another youngster as a glowing bug rests on the child’s nose. Others proudly announce that they’re in charge of their toes as they dance around the sun. Continuing to assert their bodily autonomy, children blow bubbles, wiggle their hips as they play with hula hoops, snap their fingers, and clap their hands—all examples of joyous movement. Later, the text overtly tackles consent, asking questions such as “Who’s in charge of your space?” and “Who’s in charge of your choice?” More “I am” affirmations ensue. The final spreads depict children in their own personal bubbles peacefully engaging in various activities, followed by a resounding group “I AM!” While the book’s message is a serious and important one, the playful rhymes and eye-catching art keep the tone light. Valdez’s stylish watercolor pencil illustrations feature racially diverse children; one child uses a wheelchair.

A colorful and effective take on consent. (authors’ note) (Picture book. 3-6)

Pub Date: Aug. 6, 2024

ISBN: 9781536226508

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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