Interactive elements make this delightfully playful.
A board book with moving parts and an active little bug that transforms into a butterfly.
Though the protagonist is consistently called “the little bug” in Hardenberg’s translation from the French, it is depicted as a genial caterpillar. In a welcome change from traditional lift-the-flap books, its adventure features sliding and spinning pieces. Each with a die-cut hole for little fingers, these interactive manipulatives allow readers to make the little bug climb up a hill, twirl on a red flower, and, in one particularly clever move, jump off a branch and right outside the frame of the book. Each page asks a different question about the little bug’s actions—“Who is hiding in a mushroom?” for instance—and the movement helps readers answer. Eventually, the little bug disappears, replaced by a chrysalis. The final page then reveals a brightly colored pop-up butterfly—the little bug transformed. Babin’s text is straightforward and concise, because really, this one is all about the interaction on the page. Cosneau’s illustrations are similarly simple. The little bug’s segmented body is colorful, with pronounced antennae and big, cartoon eyes. The backgrounds are bright but not overly busy, and they include occasional fine details such as a tiny spider and a trail of ants. Little readers will no doubt enjoy the thrill of moving the little bug around the page, which is really both the focus and the highlight of this one.
Interactive elements make this delightfully playful. (Novelty board book. 1-3)Pub Date: March 16, 2021
ISBN: 978-2-40802-464-2
Page Count: 12
Publisher: Twirl/Chronicle
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Leave the hopping to Peter Cottontail and sing the original song instead.
An Easter-themed board-book parody of the traditional nursery rhyme.
Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.
Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)Pub Date: Jan. 5, 2016
ISBN: 978-1-4814-5621-0
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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