A masterful literary memoir about caring for those responsible for our trauma.
A poet reflects on her traumatic upbringing.
When Smith, who also works as a clinical social worker and mediator for at-risk families, was 14, she spent the summer of 1973 retaking algebra while her mother went camping with a boyfriend. For “a month and a half,” Smith lived by herself in New Orleans, assuaging her loneliness by riding the streetcar up and down Saint Charles Avenue while standing beside a 29-year-old driver named Gifford. In a visceral passage, Smith describes how, one night, she was raped at knife point by a stranger while attempting to get a cheeseburger. When her mother was “unreachable” and her summer school teacher was unsympathetic, the author confided in Gifford, who cared for her initially but also initiated a confusing sexual relationship that she was too young to comprehend. In the years following these sexual assaults, Smith finally began to understand the role her mother’s neglect had played in her suffering, realizing “that the neglect was the engine that pulled the other parts forward.” During her childhood, though, Smith writes, “It never occurred to me that it should have occurred to my mother to do more to protect me. What you get is what you get.” When the author’s mother suffered from vascular dementia and Smith became her primary caretaker, she realized that she was finally getting what she’d always wanted: her mother’s consistent presence. But at what cost? This stunningly lyrical memoir is a profoundly insightful glimpse into the complex and frightening consequences of parental neglect. As Smith’s voice naturally evolves from alienated to intensely present, the impressively concise narrative alternates between ethereal observations about everything from space to spiders and gut punches of pain, shame, revelation, and redemption.
A masterful literary memoir about caring for those responsible for our trauma.Pub Date: Feb. 13, 2024
ISBN: 9781469678979
Page Count: 144
Publisher: Univ. of North Carolina
Review Posted Online: Oct. 28, 2023
Kirkus Reviews Issue: Dec. 1, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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