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MY ISLAND

Readers will certainly make the leap and stay a while.

A young child invites readers into an imaginary world, provided they know how to “sing,” “share,” and “dream.”

Myriad birds, flying fish, sea anemones, snails, and other animals live on the pale child’s island, keeping company during tea parties, on paper-boat voyages, and inside a giant birdhouse. The child’s seriousness in orchestrating these island activities will make perfect sense to readers—they know imagining isn’t playtime. Pretending feels immensely personal, intimate even, and the child’s emotive brown eyes show this in their intensity and, at times, vulnerability. Visual accents (rosy cheeks, a chestnut bob, a kaleidoscopic sun dress, turquoise hair clip) make the protagonist’s tender age clear, as well as how extraordinarily dense, flamboyant, and boundless a very young child’s imagination can be. Watercolors, colored pencils, and stitched red thread (which appears as dotted lines incorporated into each illustration) create vivid pictures of this pretend place, where anything can happen. Lemony yellows, teal blues, tangerine oranges, and strawberry reds appear throughout, and while cheery, the palette and papers emit a matte, mellow softness. Similarly soothing, rounded contours create cushy compositions on each spread, from the curvature of a bear’s ear to leaves, petals, clouds, and the spiral of a seashell. The stitched, red linework links each imaginary experience with a thread of commonality, and its line breaks provide permeability, spaces for readers to cross over into the protagonist’s inner world.

Readers will certainly make the leap and stay a while. (Picture book. 3-7)

Pub Date: April 2, 2019

ISBN: 978-1-61689-813-7

Page Count: 32

Publisher: Princeton Architectural Press

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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