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WHO WILL SPEAK FOR AMERICA?

Name: WHO WILL SPEAK FOR AMERICA?
Author: Stephanie Feldman
ISBN: 978-1-4399-1624-7

edited by Stephanie Feldman & Nathaniel Popkin ‧ RELEASE DATE: July 27, 2018

A heartfelt and thoughtful collection.

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Feldman (The Angel of Losses, 2014) and Popkin (Everything Is Borrowed, 2018, etc.) gather a medley of diverse voices to reflect on politics, society, and culture in contemporary America.

Essays, poems, fiction, photographs, and cartoons bristle with emotion from contributors responding to issues they consider most urgent: racism, sexism, poverty, and injustice. Nancy Hightower, who grew up in the evangelical South, captures the tenor of the collection when she urges the church, academia, and publishing—which she sees as being largely white—to break down racial boundaries and become “filled with, and overflowing with diversity.” She suggests that “if those in the literary arts want to transform the landscape of America, they need to be better evangelicals.” By that, she means that they must “write and publish work that speaks to students in the Bronx and LGBTQ teenagers in Oklahoma.” Inclusivity, she asserts, would produce a “glorious rhetorical army” to resist the president “and his corrupt administration.” Not surprisingly, many contributors rail against Donald Trump. Fiction writer Carmen Maria Machado cites her observations of racism and homophobia as reasons she should have known that Trump would be elected president. Poet, novelist, and creative nonfiction writer Samira Ahmed, who was born in India, takes on racism, reporting that she has been called terrorist, rag head, and sand nigger. “You realize, too young, that racists fail geography,” she writes, “but that their epithets and perverted patriotism can still shatter moments of your childhood.” Keeping silent is no adequate response, she warns: “in this land of the free and home of the brave, you plant yourself. / Like a flag.” Cartoonist Liana Finck depicts a map of America with U.S. crossed out, substituted by T. H. E. M. Novelist Diane McKinney-Whetstone celebrates the “hopeful vibe” she felt when she participated in the Women’s March. Hope counters an undercurrent of despair for many contributors: “I don’t want to give up the struggle,” says a despondent individual drawn by Finck. “I want to win and move on.”

A heartfelt and thoughtful collection.

Pub Date: July 27, 2018

ISBN: 978-1-4399-1624-7

Page Count: 240

Publisher: Temple Univ. Press

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

Categories:

GENERAL NONFICTION

- BOOK REVIEW
SATURNALIA
by Stephanie Feldman

- BOOK REVIEW
THE ANGEL OF LOSSES
by Stephanie Feldman

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.