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CITIZEN REPORTERS

S.S. MCCLURE, IDA TARBELL, AND THE MAGAZINE THAT REWROTE AMERICA

An adequate resource for readers new to this piece of the history of American journalism.

A history of McClure’s magazine, its publisher, and its most important contributor.

While employed on the editorial side of magazines and book publishing, Gorton began wondering about the motivations and interpersonal dynamics of writers and editors. When she discovered a century-old professional relationship between magazine publisher Samuel Sidney McClure and his star writer, Ida Minerva Tarbell, she began to conduct research for this book. Both born in 1857, McClure and Tarbell met in 1892 as he sought to hire her for the editorial staff of his nascent, eponymous monthly magazine. That magazine would become hugely successful from 1893 until about 1906, when internal and external forces caused a decline, leading to eventual closure. In Gorton’s wide-ranging book, the magazine does not make its debut until nearly 100 pages in. Before that, the author lays out a dual biography, alternating chapters between the two outsized personalities. While McClure was restless, Tarbell was steadier in nature. Gorton conducted primary documents research in archives filled with papers from McClure (mostly in Indiana) and Tarbell (mostly in Pennsylvania). The author also cites liberally from a previous McClure biography as well as two previous Tarbell biographies and her memoir, All in a Day’s Work, originally published in 1939. Tarbell’s fame rests largely on her accomplishments as a muckraking woman journalist in the male-dominated industry while McClure was well known for his ability to lead “by enthusiasm, rather than by example.” The best-known content—an exposé of Standard Oil Company and John D. Rockefeller researched and written by Tarbell—appeared in installments published between 1902 and 1904 and was later published in 1904 as The History of the Standard Oil Company. Though Gorton offers a sturdy portrait of Tarbell and McClure for a new generation of readers, much of the information she provides has already appeared in previous books and historical journals. The author variously refers to Tarbell as “Miss Tarbell,” “Ida Tarbell,” or simply “Ida,” which becomes distracting.

An adequate resource for readers new to this piece of the history of American journalism.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-279664-6

Page Count: 384

Publisher: Ecco/HarperCollins

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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