by Stephanie Innes & Harry Endrulat ; illustrated by Brian Deines ‧ RELEASE DATE: April 10, 2009
In 1916, ten-year-old Aileen Rogers sent her father, a medic in the trenches of Belgium, her own small teddy bear as a Christmas gift. Lt. Rogers put the bear in his uniform pocket—where it was discovered after his death at the battle of Passchendaele. Fellow soldiers shipped Teddy home along with Rogers’s medals, uniforms and letters; they now make up a permanent exhibit in the Canadian War Museum (co-author Innes is Aileen Rogers’s granddaughter). Told simply and effectively from Teddy’s point of view, the narration focuses on the Rogers family’s life before the war and the loneliness they felt when separated from each other. The design interposes Deines’s soft-edged illustrations with actual artifacts belonging to the Rogers family (photographs, report cards, Circumstances of Death Report). He brings both a sense of intimacy (Aileen’s hands putting Teddy in a box) and universality (an iconic soldier vanishing in a field of poppies) to the text. A lovely book, of special interest to Canadians. (epilogue) (Picture book. 5-10)
Pub Date: April 10, 2009
ISBN: 978-1-55470-097-4
Page Count: 40
Publisher: KPk/Key Porter Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
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by Stephanie Innes ; Harry Endrulat ; illustrated by Brian Deines
by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Barbara Cooney & illustrated by Loretta Krupinski
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adapted by Ruth Sawyer & illustrated by Barbara Cooney
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by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney
by Shana Corey ; illustrated by Red Nose Studio ‧ RELEASE DATE: March 8, 2016
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Shana Corey ; illustrated by R. Gregory Christie
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by Shana Corey and illustrated by Will Terry
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by Shana Corey and illustrated by Edwin Fotheringham
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