by Stephanie Kuehn ‧ RELEASE DATE: June 24, 2014
Smart, gripping genre fiction
A bright, conflicted hero struggles to free himself from the past’s tightening bonds in this corkscrew of a thriller.
After their troubled young mother’s death in an accidental shooting, Jamie and Cate were adopted by loving, affluent parents in Danville, Calif., themselves still grieving the loss of their two biological children in a car accident. The kids respond differently to their comfortably sheltered existence. Jamie becomes a high-performing student and talented pianist, while Cate, still passionately loyal to the mother Jamie barely remembers, grows into a wild, reckless teen. Released two years after her incarceration for burning down a neighbor’s barn, killing horses and critically maiming a classmate, Cate’s heading for Danville, and Jamie’s terrified of what she’ll do next. Years of treatment with a sympathetic therapist haven’t helped him overcome his bouts of amnesia and, when severely stressed, the loss of sensation in his hands. With his first romance on the horizon, he’s stopped taking his meds, which have deadening side effects. Vivid characterization and Jamie’s sharply observed narration lend credibility to the proceedings and divert attention from a few holes in the logic. In the service of her plot, Kuehn takes liberties with current child welfare practices (some may take issue with the skewed portrait of older-child adoption), but her strong suit—building suspense—is bound to keep even skeptical readers turning pages.
Smart, gripping genre fiction . (Thriller. 14-18)Pub Date: June 24, 2014
ISBN: 978-1-250-04459-4
Page Count: 256
Publisher: St. Martin's Griffin
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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