THE ARSONIST

Fire forges historical and contemporary connections among three troubled teens.

The three teen narrators could easily star in their own books. Instead, their voices and lives intertwine in an implausible plot full of coincidences and conveniently chatty villains. Rebellious white redhead Molly Mavity writes sarcastic, tense-shifting letters to her friend Pepper, who lies in a coma. Molly, whose arsonist father will soon be executed, is convinced her mother is alive—despite her suicide. Ibrahim “Pepper” Al-Yusef, a Kuwaiti immigrant with epilepsy and a comic-relief seizure pug, wryly weaves his views on everything from friendship to racism into a series of essays assigned by a long-suffering teacher as a condition of graduation. Both gradually reveal how they followed a stranger’s clues to Berlin in search of Ava Dreyman, a teen from the former East Germany who became an Anne Frank–esque symbol for the fall of the Berlin Wall. Ava, whose diary of resisting the Stasi, escaping to America, and finding romance ends with her murder in 1989, connects Molly and Pepper in a far-flung way. Though Ava’s accounts of oppression are chilling, Pepper’s awkwardness is endearing, and Molly’s grief is brutal, the mastermind’s far-fetched scheme and Molly and Pepper’s improbable stunts in Berlin ultimately muffle the strong voices of all three characters.

A convoluted mystery that flavors the darkness of Elizabeth Wein’s Code Name Verity (2012) with the contrivances of Scooby Doo.