The ambiguous ending may frustrate some readers who like their thrillers neatly wrapped up.
Amidon’s latest suburban thriller explores the nature of class privilege and equal justice under the law.
The tranquility of the wealthy Boston suburb of Emerson is shattered when the body of Eden Perry is found in a home on tony Locust Lane, where the 20-year-old had been staying as a caretaker and dog walker. Police tell her estranged mother, Danielle, they believe she was murdered. The teenagers partying with Eden on the night of her death—golden-boy-with-a-dark-streak Jack Parrish, his sweet but troubled girlfriend, Hannah Holt, and shy outsider Christopher Mahoun, who had a crush on Eden—lie to their parents and the police about where they were that evening. But when scratches are found on Christopher’s neck, he becomes the prime suspect. As a grieving but tough Danielle seeks answers, the other parents take steps to protect their children, even if it comes at the expense of others. The shifting points of view alternate among Celia Parrish, who ignores troubling aspects of her son’s personality while relying on her husband to fix the problems Jack causes; successful restaurateur Michel Mahoun, whose ethnicity (Lebanese Maronite Catholic) marks him as a foreigner in the WASPy community; unhappily married Alice Holt, who is convinced her lover Michel’s son is innocent and who plies Hannah, her stepdaughter, with wine to get at the truth; local man Patrick Noone, on a downward spiral from his daughter Gabi’s fatal overdose, who may have seen the killer on Locust Lane during a late-night drive; and Danielle. Amidon writes smoothly but relies on clichés for his observations on class differences. With her dyed black hair and tattoos, Danielle is a working-class representative, while the socially prominent Parrishes are stereotypes of class entitlement. It’s easy to identify the villains early on. The flipping among perspectives slows the narrative and makes it difficult at times to keep track of the mostly unlikable characters in this plodding thriller.
The ambiguous ending may frustrate some readers who like their thrillers neatly wrapped up.Pub Date: Jan. 17, 2023
ISBN: 978-1-250-84423-1
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
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