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DONKEY SHOW

A thriller with fine worldbuilding that lays the foundation for further adventures in a dangerous and ethically ambiguous...

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A newspaper reporter faces a literal deadline when his editor assigns him to investigate a Mexican drug lord.

One fateful evening in 1993, El Paso Tribune photographer Eddie Stevenson walks into his editor Ken Perry’s office, his face a bloody mess. When the editor asks what happened, the photog say that thugs, sent by wealthy Mexican drug lord Gustavo Jiménez, beat him up, smashed his cameras, and told him to deliver a message to crime reporter Tom Harley, telling him that he’s “dead meat.” The beating becomes front-page news and emboldens Perry: “We’re going to expose that señor and his whole rotten business,” he tells the Associated Press, “even if it takes us to the president of Mexico.” But is Harley the right reporter for the assignment? “Harley was lazy, an anthropologist” is the office scuttlebutt, so, in order to “light a fire under the story,” the editors put reporter Hank Klinger on it—and to light a fire under him, they mention the story’s Pulitzer Prize possibilities. The assault and the national press attention it draws set in motion a twisty, suspenseful thriller in which players on both sides of the border act on increasingly suspect motives. Baker, author of The Boost (2014), cannily sets his story in the early 1990s, when newspapers, big and small, could topple governments, and reporters weren’t dismissed as purveyors of “fake news.” The author, a former journalist for the El Paso Herald-Post during the same time period, not only knows the lay of the land, but also the ins and outs of news reporting. At one point, a journalist realizes that he’d neglected to report a major crime: “He’d played detective and forgotten about his job. Burying a story like that could get him fired.” It’s a densely populated narrative, but some characters stand out, such as banker Diana Clements, Stevenson’s unlikely girlfriend, in whom savvy readers will sense a bit of danger.

A thriller with fine worldbuilding that lays the foundation for further adventures in a dangerous and ethically ambiguous milieu.

Pub Date: March 31, 2022

ISBN: 978-1-63988-299-1

Page Count: 348

Publisher: Atmosphere Press

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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