DONKEY SHOW

A newspaper reporter faces a literal deadline when his editor assigns him to investigate a Mexican drug lord.

One fateful evening in 1993, El Paso Tribune photographer Eddie Stevenson walks into his editor Ken Perry’s office, his face a bloody mess. When the editor asks what happened, the photog say that thugs, sent by wealthy Mexican drug lord Gustavo Jiménez, beat him up, smashed his cameras, and told him to deliver a message to crime reporter Tom Harley, telling him that he’s “dead meat.” The beating becomes front-page news and emboldens Perry: “We’re going to expose that señor and his whole rotten business,” he tells the Associated Press, “even if it takes us to the president of Mexico.” But is Harley the right reporter for the assignment? “Harley was lazy, an anthropologist” is the office scuttlebutt, so, in order to “light a fire under the story,” the editors put reporter Hank Klinger on it—and to light a fire under him, they mention the story’s Pulitzer Prize possibilities. The assault and the national press attention it draws set in motion a twisty, suspenseful thriller in which players on both sides of the border act on increasingly suspect motives. Baker, author of The Boost (2014), cannily sets his story in the early 1990s, when newspapers, big and small, could topple governments, and reporters weren’t dismissed as purveyors of “fake news.” The author, a former journalist for the El Paso Herald-Post during the same time period, not only knows the lay of the land, but also the ins and outs of news reporting. At one point, a journalist realizes that he’d neglected to report a major crime: “He’d played detective and forgotten about his job. Burying a story like that could get him fired.” It’s a densely populated narrative, but some characters stand out, such as banker Diana Clements, Stevenson’s unlikely girlfriend, in whom savvy readers will sense a bit of danger.

A thriller with fine worldbuilding that lays the foundation for further adventures in a dangerous and ethically ambiguous milieu.