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MAKING OUR DEMOCRACY WORK

A JUDGE'S VIEW

Speaking out without talking down, Breyer renders a signal service to his fellow citizens.

For the general reader, a sitting Justice explains how the Supreme Court won the public trust and what it must do to keep it.

Employing a succession of cases from Marbury v. Madison to Bush v. Gore, Breyer (Active Liberty: Interpreting Our Democratic Constitution, 2005) offers a short, highly accessible course on the evolution of judicial review, the doctrine permitting the Court to invalidate laws conflicting with the Constitution. Although history and tradition explain how the Court’s decisions and interpretations have earned deference from public officials and acceptance from the citizenry, preserving that hard-won, critical role in our democracy, the author insists, requires the Court to issue decisions that ensure the Constitution works in practice. Rejecting originalism, political or subjective preferences, he argues for a pragmatic interpretation of the Constitution that looks first to the purposes and consequences of the law and relies on strength of reasoning for persuasion. Applying an 18th-century document to the unanticipated controversies of the modern nation or divining the meaning of frequently incomplete or silent statutes is rarely simple. The merits of any single case aside, the Court must also take into account a variety of legal doctrines, properly respect the expertise and prerogatives of the other governmental branches and avoid insult to state and inferior U.S. courts in our federal system, all in the service of forging decisions acceptable to the country. In a passage on the Court’s special province, protecting individual rights, Breyer takes us through a judge’s thinking—how he identifies the enduring value in a constitutional provision and applies it to particular facts. The author concludes with a comparison of the infamous Korematsu decision approving the internment of Japanese Americans during World War II with the four recent Guantánamo cases, in which the Court adopted a more workable approach, even during a time of serious national threat, to protect constitutional values.

Speaking out without talking down, Breyer renders a signal service to his fellow citizens.

Pub Date: Sept. 14, 2010

ISBN: 978-0-307-26991-1

Page Count: 288

Publisher: Knopf

Review Posted Online: June 15, 2010

Kirkus Reviews Issue: July 1, 2010

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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