Fast-paced, lewd and extremely unconventional short stories that may appeal to fans of Mark Danielewski and David Foster...
A collection of hyperenergetic, scatological, stream-of-consciousness short stories.
Bird (Catastrophically Consequential, 2012) serves up 12 highly impressionistic stories in this revised edition of his original 2009 collection. The stories range from the frantic Harry Potter parody of “Szczmawgwhore(ts): A Pornographick Bitch-Story” to the sardonic true-crime parody of “Bobby Chushingura,” with its fierce send-up of small-town Middle America (“Bobby had grown up on the wrong side of the tracks of a rural-suburban Rust Belt town populated by wealthy equestrian enthusiasts who were only as sick as their secrets”). Also notable are the almost incoherent psychedelic ramblings of the linked stories “Gothra Schvulkopf and the Daily Grind” and “Gothra Schvulkopf and Her Pumpkin Trolls,” which, even at their most disconnected, are saved by Bird’s skilled pacing and surprisingly lovely turns of phrase: “One can espy an Amazonian jungle creeping along the edge of my bikini line. Little children burn doggie poo in paper bags on my doorstep on Halloween and run away cackling in the harvest moon dry brown leaf rustling night.” Bird is a performance artist in New York City, and many of his stories in this collection would likely be far more effective in performance, where the copious amounts of profanity would likely be funnier than they are on the page. Even so, the narrative swagger Bird brings to stories like “The Travails of Ginger Bocey” (“Her wore them dirty pants with pride, her warn’t no society lady, her life were dirty and she rubbed it in everyone’s face”) gives them a welcome, raunchy life all their own.
Fast-paced, lewd and extremely unconventional short stories that may appeal to fans of Mark Danielewski and David Foster Wallace.Pub Date: Jan. 31, 2013
ISBN: 978-0615581705
Page Count: 212
Publisher: Hysterical Dementia
Review Posted Online: April 17, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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