If you believe a criminal lost the White House in 2016, give Coonts’ (Liberty’s Last Stand, 2016, etc.) latest a try. But be...
Tommy Carmellini returns in this thriller based on the 2016 presidential election.
CIA Director Jake Grafton ponders the shocking defeat of Cynthia Hinton by Vaughn Conyer, a New York billionaire with no political experience. Gasp! Ripped from the headlines! And Hinton must be Clinton! And Conyer must be—but alas, he's no Drump. Hoping to cut a deal for himself, jailed pedophile Junior Sikes asks for a visit from the FBI. He plans to snitch on his employer, voting machine maker American ElectTech, for having rigged the election results. But the "agent" who shows up puts a bullet in his brain before the real FBI can arrive. Although this doesn't look like the CIA's business, Grafton wants narrator Carmellini to look for a foreign connection, a task that receives only token attention. Carmellini’s real CIA job is “technician,” meaning he does dirty work wherever necessary. He "burgle[s] places" and delivers a fake subpoena, and when he impersonates a Federal Election Commissioner to get into the home of a political scientist who committed suicide, he finds a stack of printed spreadsheets labeled “Armageddon.” Perhaps, he muses, it refers to the election as the “final battle between good and evil.” He sounds like a wiseass PI straight out of pulp fiction. In one scene he slaps a guy, then says “Don’t get all constipated on me, Kurt. We got a relationship going here.” Then Kurt whispers, “The wrong person won the election.” Later, Carmellini blows a bad guy’s brains out with his .45 after he decides “Screw that first-shot crap.” As subtly as a train wreck, the author, through Carmellini, compares today’s progressive left with World War II fascists: “Both hated free speech,” blah, blah. And there’s the evil, near-nonagenarian billionaire and one-time SS Hitlerite Anton Hunt, who now supports left-wing causes and may have tried to fix the election for Clin—er, Hinton.
If you believe a criminal lost the White House in 2016, give Coonts’ (Liberty’s Last Stand, 2016, etc.) latest a try. But be warned: it won’t make American literature great again.Pub Date: Nov. 6, 2017
ISBN: 978-1-62157-659-4
Page Count: 272
Publisher: Regnery
Review Posted Online: Sept. 19, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
