Picking up where they left off in Flight of the Intruder (1986), Coonts and his inimitable Navy flyboy, Lt. Jake Grafton, coast on autopilot in this turgid novel of stick-and-rudder derring-do. Long on jargon, acronyms, and technical descriptions but short on actual storytelling, the saga begins in the days following the 1973 US pullback from Vietnam. On leave, Jake pays a visit to best gal Callie McKenzie's home. Callie's pop, a station wagon liberal embittered by the crippling injuries sustained in battle by his son, Theron, has a heated debate with the usually dovish Jake, precipitating an angry flight to a local watering hole. A few glasses later, Jake overhears a drunk taunting a crippled vet and launches the loudmouth through a window. To escape legal reprisal, our hero gladly accepts his first peacetime assignment: instructing Marine pilots in the manly art of carrier-based flying aboard the USS Columbia. Here's where the eponymous A-6 Intruder attack aircraft comes in, and any semblance of plot departs. Sure, there are many new characters: Hugh Skidmore, aka The Real McCoy, a sassy Navy instructor who plays the stock market; Jake's navigator, ``Flap'' LeBeau, a wisdom-spouting Afro-American Marine; and other types running the gamut from fun-loving to psychotic. But action mainly consists of A-6 crews endlessly executing noncombat maneuvers at sea. A difficult task to be sure, but not interesting enough to hold together a novel. In fact, with the exception of a running subplot featuring a ``line-in-the-sand'' conflict with the nearby Soviet fleet and Jake and Flap's bold escape from gunrunners near the story's end, Coonts's narrative style very closely resembles a commander's log—sans command. Those hale enough to finish this muddled flight manual cum novel in one sitting will likely possess enough knowledge about the A-6 to fly one in their sleep. A good thing, since the book certainly won't keep them awake. (First printing of 225,000; author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-671-87060-2
Page Count: 352
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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