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THE RED HORSEMAN

Rear Admiral Jake Grafton, aviator-hero of Coonts's Under Siege (1990), etc., now saves the world from potential Armageddon- -and gets to meet Boris Yeltsin and Saddam Hussein in the bargain. The nearly nonstop action begins when an Israeli spy gives Jake's assistant Toad Tarkington a photo that leads Jake and Toad to suspect a CIA cabal at work in numerous evil deeds, including the murder of publishing magnate Nigel Keren (read: Robert Maxwell) by way of ``binary'' poison—poison that, because of the duo's sleuthing, may next be used on them. But despite the threat, Jake and Toad soldier on with their next assignment: to monitor the dismantling of Soviet nuclear missiles. The pair's sojourn in Russia allows Coonts to indulge in his usual soapboxing (``In case you haven't noticed,'' says Jake, ``Russia is a third-world shithole'') even as Jake and Toad meet with beetle-browed generals and try to avoid being poisoned by the CIA cabal. Meanwhile, an anti-Yeltsin KGB faction blows up a Russian nuclear-weapons site, causing a meltdown that may kill a million (```Another million,' Jake Grafton roared savagely. `God in heaven, when will it ever stop?'''). As Russia erupts in panic, Jake learns that the meltdown covered up the theft from the site of several warheads that were then sold to Saddam Hussein. After Jake confers with Yeltsin, the admiral and Toad's pilot-wife take to the skies to bomb the reactor's remaining missiles, shooting down renegade KGB jets in the process. Jake then exposes the CIA cabal and retrieves the stolen warheads through a raid on Iraq—where both the outlaw KGB leader and Saddam himself make a big mistake by getting in Jake's way. Coonts's plots are getting as overcomplicated as Tom Clancy's, but his flying-and-fighting scenes are as exciting as ever. Chalk up another red, white, and blue ace for the author and his jet- jockeys.

Pub Date: June 1, 1993

ISBN: 0-671-74887-4

Page Count: 416

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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