Two gorillas abduct a beautiful maiden from her Manhattan apartment; her fiancÇ, a celebrity wrestler, seeks her recovery. His quest is the framework of the most ambitious novel yet from Dobyns (After Shocks/Near Escapes, etc.)—a kind of philosophical joyride that frequently invokes Nietzsche as it investigates such matters as dualism and causality. Michael Marmaduke is a humble Jersey bodybuilder until wrestling trainer Primus Muldoon transforms the gentle blond giant into Marduk the Magnificent. Michael's gentleness becomes his Gimmick; Primus excels at transforming Nietzsche's ``bungled and botched'' into extravagant heroes and villains, at manipulating images to satisfy a mass-market culture. Rose White's kidnapping, arranged by her malevolent twin Violet, forces Michael out of his cocoon of scripted dualism. Now he must initiate action; now he must think; now the pussycat must become a tiger (exactly what Violet wants). Guided and misguided by Jack Molay, a mysterious old pedant, and by Deep Rat, Violet's sinister emissary, Michael confronts a bewildering variety of physical and intellectual challenges: fights with hybrid men/beasts, rap sessions with the Disputants, street gangs whose beliefs are grounded in early Christian heresies. But this is far from being Michael's story exclusively. Beginning with a wrestling bout at the Garden (the non-Edenic variety), omniscient narrator Dobyns plunges into the Manhattan anthill with the same furious energy that Dos Passos brought to Manhattan Transfer, summoning up a slew of minor characters, many of whom are transfixed by the image of Marduk, and all of whom are at the mercy of chance. There's a fine smoke-and- mirrors climax in which Michael defeats the Pseudo-Marduk and arrives at a place far, far beyond good and evil. There are sluggish passages here, notably those involving the hairsplitting Disputants, but only a churl would linger over defects in a work that is so stunningly imaginative, so liberating in its sense of possibilities in life and art, and so much fun.
Pub Date: Aug. 16, 1993
ISBN: 0-393-03511-5
Page Count: 448
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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