by Stephen E. Ambrose ‧ RELEASE DATE: Sept. 28, 1984
The first volume of Ambrose's biography of Eisenhower, chiefly on his military career, at least benefited from Ambrose's familiarity with military affairs and his earlier writing on Ike's wartime and postwar roles; if routine, it held together. This second and concluding volume, mainly on the Eisenhower presidency, is again a chronological record—but now of disparate, carry-over developments ("Bricker, McCarthy, Bravo, Vietnam, January 1—May 7, 1954"). As political history, it's flimsy (Ambrose thinks every president's biggest problem is the military budget); Its thesis that "Eisenhower dominated events," has been more solidly formulated and documented in Robert A. Divine's Eisenhower and the Cold War, more ingeniously presented (at least) in Fred Greenstein's The Hidden-Hand Presidency. But, inherent weaknesses apart, the book is riddled with blunders and bloopers—compounded by uncertain quasi-scholarship. There are personal details that would be eye-blinking, if true: did Eisenhower never so much as put on his own socks? never wear a suit (given him by manufacturers) more than twice? Ambrose doesn't find these particulars odd enough to document. There are supposed achievements for which Eisenhower's memoirs are the only source; worse, Ambrose attributes to Eisenhower-biographer Peter Lyons the opinion that, "without Eisenhower's opposition," the Bricker amendment, limiting the president's treaty-making power, "would have been adopted"—something Lyons neither says nor implies. (Rather, he points up Eisenhower's waverings—and the tie-breaking vote by wily Lyndon Johnson.) Then, confoundingly, there is the matter of Eisenhower's choice of Earl Warren for Chief Justice; never mind that Ambrose is oblivious to the politics involved (it was simply merit, he maintains); Ambrose flatly asserts that "during his Presidency, Eisenhower never doubted that he had. . . made the right choice"—disregarding Ike's famous, oft-repeated gripe that the Warren appointment was "the biggest damfool mistake I ever made." Can Ambrose have forgotten? No: 50 pages later he picks up the subject again, claiming that Eisenhower made such remarks only later, and did not even have such feelings in the White House (on the basis of selective reference to Warren's autobiography—ignoring other parts, and mounds of additional evidence). On the issues, Ambrose doesn't say anything much new either way: Eisenhower erred on McCarthy and civil rights, did well in foreign affairs (unto the Central American interventions). But the book is markedly short of common sense, accuracy, and coherence.
Pub Date: Sept. 28, 1984
ISBN: 0671605658
Page Count: 750
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Aug. 15, 1984
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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