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BRIGHT LIGHTS, DARK NIGHTS

There are no easy answers to the issues at play in this story, and fittingly, there is much that is left open-ended. Readers...

First love, racism, family strife, and the Internet’s culture of anonymous cruelty are some of the many themes explored in this illustrated novel by Happyface (2010) author Emond.

High school senior Walter, who is white, lives with his dad, a cop whose career has nose-dived in the years since he and Walter's mom divorced and they moved from a middle-class suburb to a working-class neighborhood in the city. Anxious and endearingly awkward, Walter has done his best to fly under the radar with his peers, until he falls hard for his friend's sister: smart, witty, harp-playing Naomi, who is black. The pressure experienced by couples from different ethnic backgrounds is realistically intensified for this sweetly likable pair when Walter's dad arrests a black teen for burglary and is accused of assaulting him, igniting debate and anger in their neighborhood and at large. Most impressive in this emotionally charged novel is the way each of the characters is fully imagined; they emerge as complex individuals who are shaped by a variety of factors and are not portrayed as simple heroes or villains.

There are no easy answers to the issues at play in this story, and fittingly, there is much that is left open-ended. Readers will be left with plenty on their minds and in their hearts. (Fiction. 12 & up)

Pub Date: Aug. 11, 2015

ISBN: 978-1-62672-206-4

Page Count: 384

Publisher: Roaring Brook Press

Review Posted Online: May 11, 2015

Kirkus Reviews Issue: June 1, 2015

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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