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MOAB IS MY WASHPOT

AN AUTOBIOGRAPHY

Fry, the British novelist (Making History, 1998) and TV and movie performer, turns thoroughly solipsistic with the story of his early life, taking us through his teens. (The tale follows, in large measure, that of the protagonist in his 1995 novel, The Liar). The engaging Mr. Fry admits to lies, thievery, homosexuality, excessive cleverness, and other peccadilloes in this boarding- school adventure that goes far beyond Tom Brown or Billy Bunter naughtiness. He revels in his proclaimed peculiarities, and “grieves” and “blushes” to confess to various youthful solecisms. There’s much about his first true love (for a schoolmate), “arses,” and the like amid the luxuriant verbal diversions and flicks of the author’s linguistic eyebrows. Almost unexpectedly, Fry expresses love and admiration for his family, who were, apparently, remarkably understanding as he worked his way through some particularly flamboyant juvenile angst. Adventure in his chosen profession of mummery must await the next installment, but surely Fry’s recently acclaimed impersonation of Oscar Wilde must have affected him greatly. Why else would he essay such epigrams as “It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue.” It sounds a bit like a Wodehouseian take on Reginald Bunthorne. But what the bloody hell, it’s all so amusing, so ingratiating, don’t you see? Trouble is, on this side of the Atlantic the text is frequently as unintelligible as cricket. Only a devoted Anglophile could tell what “a First or a 2:1 as well as an inevitable triple haul of sporting Blues” at Cambridge might mean. And why his washpot, in which Fry “wallows,” is the same as the ancient land of Moab is not clear; the title remains a mystery. An author in the long and honorable tradition of English Eccentrics, Theatrical Division, presents his coming-of-age story. With all the wit and Pythonesque antics, his book will entertain the Masterpiece Theatre crowd—and others as well.

Pub Date: June 1, 1999

ISBN: 0-375-50264-5

Page Count: 352

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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