A leisurely tour of the coral reefs of Grand Turk Island, where novelist Harrigan (Jacob's Well, 1984) learns about nature and himself. Diving has always meant a great deal to Harrigan, but now, living far from the sea and worried that the activity is becoming nothing more than a hobby, he decides to spend an extensive period diving in the Caribbean. There, he will ``study the natural history of the coral reef, but the motivation was not as clear or, perhaps, as worthy. I wanted to be, at least for a time, my underwater self.'' He checks into a local motel on the island—a desolate and relatively unspoiled place where salt was once collected from inland pans—and begins his diving explorations. As he explores the reefs, dives down part of the great wall that edges the nearby 7,000-foot-deep channel, and chats to locals, Harrigan relates old diving adventures as far apart as Australia and Mexico. He observes the variety of fish and plant life, explains that coral is actually an animal, not a plant, and includes such diving lore as the story of the development of the aqualung—an invention that, as Jacques Cousteau wrote, meant that ``From this day forward we would swim across miles of country no man had known.'' Catching conches for his dinner, Harrigan laments the decline of the sea-turtle, ``a great being, venerable, unknowable,'' and admits to being angry with dolphins because he fails to interest them. Hoping to be transformed by the reef, his underwater destiny acknowledged, he ruefully realizes how indifferent the teeming underwater world is to his presence. He is ready to go home. A graceful and low-keyed celebration of diving and the dazzling underwater world it reveals, as much for the underwater enthusiast as for the armchair traveler.
Pub Date: May 26, 1992
ISBN: 0-395-46558-3
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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