A leisurely tour of the coral reefs of Grand Turk Island, where novelist Harrigan (Jacob's Well, 1984) learns about nature and himself. Diving has always meant a great deal to Harrigan, but now, living far from the sea and worried that the activity is becoming nothing more than a hobby, he decides to spend an extensive period diving in the Caribbean. There, he will ``study the natural history of the coral reef, but the motivation was not as clear or, perhaps, as worthy. I wanted to be, at least for a time, my underwater self.'' He checks into a local motel on the island—a desolate and relatively unspoiled place where salt was once collected from inland pans—and begins his diving explorations. As he explores the reefs, dives down part of the great wall that edges the nearby 7,000-foot-deep channel, and chats to locals, Harrigan relates old diving adventures as far apart as Australia and Mexico. He observes the variety of fish and plant life, explains that coral is actually an animal, not a plant, and includes such diving lore as the story of the development of the aqualung—an invention that, as Jacques Cousteau wrote, meant that ``From this day forward we would swim across miles of country no man had known.'' Catching conches for his dinner, Harrigan laments the decline of the sea-turtle, ``a great being, venerable, unknowable,'' and admits to being angry with dolphins because he fails to interest them. Hoping to be transformed by the reef, his underwater destiny acknowledged, he ruefully realizes how indifferent the teeming underwater world is to his presence. He is ready to go home. A graceful and low-keyed celebration of diving and the dazzling underwater world it reveals, as much for the underwater enthusiast as for the armchair traveler.
Pub Date: May 26, 1992
ISBN: 0-395-46558-3
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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