Each of 19 different writers gives us a take on the divine- -with more points of view and tones of voice than in the whole of the Old Testament. Feeling that ``in the last ten years, religion has re-entered the public consciousness,'' the editors set out to see what the current literary scene could make of it. They might well have been surprised by what they found. Many stories here are typical expressions of the anger and disillusionment that have pervaded most modern treatments of the subject, but there are quite a few wild cards in the deck—and these from unlikely sources. In Aamer Hussein's ``Your Children,'' a secular Indonesian intellectual watches her children grow up to embrace the Islamic precepts she'd left behind, then throw themselves into the political turmoil that surrounded the Gulf War of 1991. There is also plenty of feminist angst: both Tony Grist (``The White Lady'') and John Wakeman (``Sherry at the Rectory'') write of the frustration of women who want to serve a Church that won't ordain them, and Maureen Duffy's ``Last Priestess'' crucifies herself—literally—in a show of contempt for Christianity. Joyce Carol Oates's ``Work in Progress'' manages to incarnate the awkward soullessness of the suburban classes in Michael O'Meara, a twentysomething Candide who drifts from seminary to medical school to home without picking up much of anything along the way. Christopher Hope (``My Stigmata'') and James Morrow (``The Soap Opera'') both approach the subject for its comic potential—the book of Job as a sitcom, the stigmata as an embarrassment to agnosticism—with little wit and less grace. Only David Plante's recollections of a lover's suicide (``The Space About God'') manage to evoke a real mystery that is all the more palpable in that the narrator himself cannot understand what has happened and cannot rest in his ignorance. No one else seems to convey the proper obsession. A very mixed bag, with a few gems amid the dreck.
Pub Date: Nov. 1, 1993
ISBN: 1-85242-259-9
Page Count: 248
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1993
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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