Hunter returns to the sniper theme that made The Master Sniper (1980) a mesmerizing suspense debut, though his later novels (The Spanish Gambit, etc.) have disappointed. This is his best since then. Can one forgive Hunter his dullish leading character and praise him for a fearless, warts-and-all rounded portrait of a master sniper from Arkansas, and even perhaps call Bob Lee Swagger a riveting hero bearing an unbearable burden? Swagger is a genius of the rifle with an encyclopedic background on manufacture and handcrafted ammo, possesses superhuman skill at weighing every conceivable possibility in yardage, windage, dampness, temperature, etc., and has the patience of a brass monkey for holding a position (sometimes for weeks) until his prey appears in the scope. His father won the Congressional Medal of Honor on Iwo Jima, and Bob should have won it as a Marine sniper in Vietnam, where he killed 87 men (confirmed, though actually many more) but was wounded by an even more skillful Russian sniper flown in especially to nail Bob. Now a stonyfaced recluse living in Arkansas' Ouchita Mountains, Bob is lured out of the hills by a phony outfit called RamDyne that wants him to stop that very same Russian from assassinating the President. Truth is, however, that Bob is being set up as the President's alleged lone assassin, an Oswald-like patsy in an incident scheduled for Louis Armstrong Park in New Orleans. When the real assassin fires and hits a prelate instead, Bob is shot by his phony team, escapes and finds himself wounded and on the lam, with his face on the covers of Time and Newsweek as the President's intended killer. Somehow he must track down the team that hired him.... A whiz-bang—especially if you're ballistic on ballistics. (First printing of 50,000)
Pub Date: Feb. 8, 1993
ISBN: 0-553-07139-4
Page Count: 352
Publisher: Bantam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
