Investigative journalism at its relentless and compassionate best.
An award-winning journalist uncovers the suppressed story behind the death of Matthew Shepard, the gay University of Wyoming student whose 1998 murder rocked the nation.
Jimenez was a media “Johnny-come-lately” when he arrived in Laramie in 2000 to begin work on the Shepard story. His fascination with the intricate web of secrets surrounding Shepard’s murder and eventual elevation to the status of homosexual martyr developed into a 13-year investigative obsession. The tragedy was “enshrined…as passion play and folktale, but hardly ever for the truth of what it was”: the story of a troubled young man who had died because he had been involved with Laramie’s drug underworld rather than because he was gay. Drawing on both in-depth research and exhaustive interviews with more than 100 individuals around the United States, Jimenez meticulously re-examines both old and new information about the murder and those involved with it. Everyone had something to hide. For Aaron McKinney, one of the two men convicted of Shepard’s murder, it was the fact that he was Shepard’s part-time bisexual lover and fellow drug dealer. For Shepard, it was that he was an HIV-positive substance abuser with a fondness for crystal meth and history of sexual trauma. Even the city of Laramie had its share of dark secrets that included murky entanglements involving law enforcement officials and the Laramie drug world. So when McKinney and his accomplices claimed that it had been unwanted sexual advances that had driven him to brutalize Shepard, investigators, journalists and even lawyers involved in the murder trial seized upon the story as an example of hate crime at its most heinous. As Jimenez deconstructs an event that has since passed into the realm of mythology, he humanizes it. The result is a book that is fearless, frank and compelling.
Investigative journalism at its relentless and compassionate best.Pub Date: Oct. 1, 2013
ISBN: 978-1-58642-214-1
Page Count: 320
Publisher: Steerforth
Review Posted Online: Aug. 25, 2013
Kirkus Reviews Issue: Sept. 15, 2013
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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