The Exorcist meets My Mother, The Car. . . in a chiller that takes a nifty Twilight Zone notion and stretches it out to King-sized proportions—with teen-gab galore, horror-flick mayhem, epic foreshadowing, and endlessly teased-out suspense. It's 1978 in a town outside of Pittsburgh. Football-player Dennis (the nice, if relentlessly vulgar, narrator) is a high-school senior—as is his best-friend Arnie, pimpled loner and natural victim. But everything begins to go askew on the day that Arnie falls in love at first sight with "Christine," a total wreck of a 1958 Plymouth Fury ("one of the long ones with the big fins") that Arnie buys for $250 from creepy old Roland D. LeBay. Soon, you see, Arnie starts changing: he stands up to his college-teacher parents (manipulative Mom, weak Dad) for the first time; his skin clears up; he gets a sweetly beautiful girlfriend, Leigh. After old LeBay dies, Dennis starts worrying—especially when he learns that the mean old man's wife and daughter both died in. . . Christine. And assorted spooky questions arise: How does Arnie manage to restore Christine to 1958 condition so fast? How does he instantly restore her again after Christine has been savagely attacked by some high-school bullies? And who—if anyone—is driving Christine when the killer-car then starts bloodily bumping off all of Arnie's enemies? (Arnie himself is always out of town when the ghostly hit-and-runs occur.) By this time, of course, girlfriend Leigh is starting to become disenchanted with Arnie—who seems to sit idly by while Christine. . . or something. . . tries to choke Leigh to death. And when even Arnie's handwriting seems to change, Leigh and Dennis become convinced that their friend has been quasi-possessed by the undead soul of evil Roland LeBay (whom they can sometimes even see at the wheel!). So they determine to somehow destroy the indestructible killer-car—in a finale-showdown at Darnell's Garage, with Dennis in a tank-truck and Christine (carrying yet more corpses) on the rampage. Nothing new, horror-wise (remember The Car, a 1977 film-cheapie?), and much too long; but King's blend of adolescent raunch, All-American sentiment, and unsubtle spookery has never, since Carrie, been more popcorn-readable—with immense appeal for all those fans interested in the 522-page equivalent of a drive-in horror movie.
Pub Date: April 29, 1983
ISBN: 0451160444
Page Count: 534
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1983
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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