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DIFFERENT SEASONS

It will take all of King's monumental byline-insurance to drum up an audience for this bottom-of-the-trunk collection: four overpadded novellas, in non-horror genres—without the gripping situations needed to transcend King's notoriously clumsy writing. Best of the lot is Rita Hayworth and Shawshank Redemption—in which banker Andy Dufresne, in a Maine prison for life for murdering his wife and her lover, plans his escape over a 20-year period, working his way through four feet of concrete to get to the sewer shaft beyond. The climax is feeble (especially after such a long build-up), the redemption theme is murky—but the close observation of prison life offers some engaging details. "Apt Pupil," on the other hand, is crude and utterly unconvincing: Todd, an All-American California boy, discovers that Mr. Denker down the block is really an aged Nazi war criminal—so he extorts long confessions from the old man, relishing all the atrocity details, becoming totally corrupted by the Nazi mystique; at last, however, the old Nazi (who gets his kicks by killing winos) takes revenge on the boy—and their evil symbiosis ends in a muddle of suicide, murder, and madness. The third piece is the most conventional: "The Body," a familiar fall-from-innocence tale about four not-very-bright Maine lads (one of whom, the reminiscing narrator, will become a novelist) who go into the woods to locate the body of a boy thrown from a trestle by a train. And "The Breathing Method"—told, a la Peter Straub's Ghost Story, as a gentleman's club anecdote—is the most explicitly horrific: an unwed mother is decapitated on Christmas Eve but gives birth in falling sleet anyway. . . because of the Lamaze Method. Thin gimmicks, weighed down with King's weak characters and weaker prose (unlike his crisp short stories)—but the fans may come around yet again, despite the clear evidence that King needs the supernatural to distract from his awesome limitations as a mainstream storyteller.

Pub Date: Aug. 27, 1982

ISBN: 0451167538

Page Count: 482

Publisher: Viking

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Aug. 1, 1982

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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