An improvement over The Dead Zone, with King returning to his most tried-and-true blueprint. As in The Shining, the psi-carrier is a child, an eight-year-old girl named Charlie; but instead of foresight or hindsight, Charlie has firestarting powers. She looks and a thing pops into flame—a teddy bear, a nasty man's shoes, or (by novel's end) steel walls, whole houses, and stables and crowds of government villains. Charlie's parents Vicky and Andy were once college guinea pigs for drug experiments by The Shop, a part of the supersecret Department of Scientific Intelligence, and were given a hyperpowerful hallucinogen which affected their chromosomes and left each with strange powers of mental transference and telekinesis. When Vicky and Andy married, their genes produced Charlie and her wild talent for pyrokinesis: even as a baby in her crib, Charlie would start fires when upset and, later on, once set her mother's hands on fire. So Andy is trying to teach Charlie how to keep her volatile emotions in check. But when one day he comes home to find Vicky gruesomely dead in the ironing-board-closet, murdered by The Shop (all the experimental guinea pigs are being eliminated), Andy goes into hiding with Charlie in Manhattan and the Vermont backwoods—and Charlie uses her powers to set the bad men on fire and blow up their cars. They're soon captured, however, by Rainbird, a one-eyed giant Indian with a melted face—and father and daughter, separated, spend months being tested in The Shop. Then Andy engineers their escape, but when Andy is shot by Rainbird, Charlie turns loose her atomic eyes on the big compound. . . . Dumb, very, and still a far cry from the excitement of The Shining or Salem's Lot—but King keeps the story moving with his lively fire-gimmick and fewer pages of cotton padding than in his recent, sluggish efforts. The built-in readership will not be disappointed.
Pub Date: Sept. 29, 1980
ISBN: 0451167805
Page Count: 398
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1980
BOOK TO SCREEN
BOOK TO SCREEN
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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