by Stephen King ‧ RELEASE DATE: Nov. 11, 2014
No one does psychological terror better than King. Another spine-tingling pleasure for his fans.
In his second novel of 2014 (the other being Mr. Mercedes), veteran yarn spinner King continues to point out the unspeakably spooky weirdness that lies on the fringes of ordinary life.
Think of two central meanings of the title—a religious awakening and bringing someone back to life—and you’ll have King’s latest in a nuthouse. Beg pardon, nutshell, though of course it’s madness that motivates all his most memorable characters. In this instance, a preacher arrives in a small New England town—always a small New England town—with an attractive wife and small child. Soon enough, bad things happen: “The woman had a dripping bundle clasped to her breast with one arm. One arm was all Patsy Jacobs could use, because the other had been torn off at the elbow.” And soon enough, the good reverend, broken by life, is off to other things, while our protagonist drinks deep of the choppy waters of sex, drugs and rock ’n’ roll. “My belief had ended,” Jamie Morton says, simply—that is, until Rev. Jacobs turns up in his life again, after having spent time at the horrifying North Carolina amusement park that is Joyland (for which see King’s 2013 novel of the same name) and mastered not just the carney’s trade, but also the mysterious workings of “secret electricity.” Well, as Victor Frankenstein learned, electricity can sometimes get away from a fellow, and though young Jamie pleads with the bereaved pastor to get himself back on the good foot (“The newspapers would call you Josef Mengele.” “Does anyone call a neurosurgeon Josef Mengele just because he loses some of his patients?”), once it sets to crackling, the secret electricity can’t be put back into the bottle. Faith healing run amok: It’s a theme that’s exercised King since Carrie, and though this latest is less outright scary and more talky than that early touchstone, it compares well.
No one does psychological terror better than King. Another spine-tingling pleasure for his fans.Pub Date: Nov. 11, 2014
ISBN: 978-1-4767-7038-3
Page Count: 416
Publisher: Scribner
Review Posted Online: Oct. 1, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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