No one does psychological terror better than King. Another spine-tingling pleasure for his fans.
In his second novel of 2014 (the other being Mr. Mercedes), veteran yarn spinner King continues to point out the unspeakably spooky weirdness that lies on the fringes of ordinary life.
Think of two central meanings of the title—a religious awakening and bringing someone back to life—and you’ll have King’s latest in a nuthouse. Beg pardon, nutshell, though of course it’s madness that motivates all his most memorable characters. In this instance, a preacher arrives in a small New England town—always a small New England town—with an attractive wife and small child. Soon enough, bad things happen: “The woman had a dripping bundle clasped to her breast with one arm. One arm was all Patsy Jacobs could use, because the other had been torn off at the elbow.” And soon enough, the good reverend, broken by life, is off to other things, while our protagonist drinks deep of the choppy waters of sex, drugs and rock ’n’ roll. “My belief had ended,” Jamie Morton says, simply—that is, until Rev. Jacobs turns up in his life again, after having spent time at the horrifying North Carolina amusement park that is Joyland (for which see King’s 2013 novel of the same name) and mastered not just the carney’s trade, but also the mysterious workings of “secret electricity.” Well, as Victor Frankenstein learned, electricity can sometimes get away from a fellow, and though young Jamie pleads with the bereaved pastor to get himself back on the good foot (“The newspapers would call you Josef Mengele.” “Does anyone call a neurosurgeon Josef Mengele just because he loses some of his patients?”), once it sets to crackling, the secret electricity can’t be put back into the bottle. Faith healing run amok: It’s a theme that’s exercised King since Carrie, and though this latest is less outright scary and more talky than that early touchstone, it compares well.
No one does psychological terror better than King. Another spine-tingling pleasure for his fans.Pub Date: Nov. 11, 2014
ISBN: 978-1-4767-7038-3
Page Count: 416
Publisher: Scribner
Review Posted Online: Oct. 1, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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